{"id":987,"date":"2020-05-15T14:46:23","date_gmt":"2020-05-15T12:46:23","guid":{"rendered":"https:\/\/idateart.com\/?page_id=987"},"modified":"2022-07-23T14:23:32","modified_gmt":"2022-07-23T12:23:32","slug":"publikationen-2","status":"publish","type":"page","link":"https:\/\/idateart.com\/en\/publikationen-2\/","title":{"rendered":"Publications Art\/ Art Market"},"content":{"rendered":"

Some publications are highlighted with the respective link to the publication.<\/p>\n\n\n\n

<\/p>\n\n\n\n

2022 <\/strong>OWNLY Kunstkolumne <\/strong>Basel is back. Die Art Basel versammelt die internationale Kunstelite<\/a><\/a><\/em>, publiziert von W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2022<\/strong> OWNLY Kunstkolumne Picasso f\u00fcr alle. Bedeutet Fractional Ownership die Demokratisierung des Kunstinvestments?<\/em>,<\/a> publiziert vonW&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2021 <\/strong> <\/em>OWNLY Kunstkolumne Trend oder Hype? NFT meets Kunst<\/a>.<\/em>, publiziert von W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2020<\/strong> Wie Sie mit Picasso & Co. ein Verm\u00f6gen aufbauen… Und warum am Ende mit Kunst (nicht) jeder reich werden kann<\/em><\/a>, FinanzBuch Verlag, M\u00fcnchen <\/p>\n\n\n\n

2020<\/strong> OWNLY Art Column Work & Value: How complex are valuations in the art sector and can new technologies create more transparency?<\/a><\/em>, published by W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2020<\/strong> Between Success and Aporia: The (Municipal) Art Collections of Chemnitz after 1990<\/em>, In: Im Morgenlicht der Republik \u2013 100 Jahre Kunstsammlungen Chemnitz, published by Kunstsammlungen Chemnitz<\/p>\n\n\n\n

2020<\/strong> Art and crisis. When quality becomes a solid evergreen.<\/em>, Kunsthaus ARTES<\/p>\n\n\n\n

2020<\/strong> Art first, then the return<\/em>, Kunsthaus ARTES <\/strong><\/p>\n\n\n\n

2020<\/strong> OWNLY Art Column Unique or Edition? Original!<\/em><\/a>, published by W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2020<\/strong> OWNLY Art Columne Who\u2019s buying? Who\u2019s selling? What\u2019s hot?<\/a><\/em>, published by W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2020<\/strong> <\/em>OWNLY Art Column A start-up exposes art forgeries: How modern technology can make the art market safer<\/a><\/em>, published by W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2019<\/strong> OWNLY Art Column Lonas against works of art: Art Lending is big business.<\/a><\/em> , publiziert von W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2018 <\/strong>OWNLY Art Column Art Funds: Return optimization or unnecessary risk speculation?<\/em>, published in \u201eBe Your Own Asset Manager\u201c der W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2018 <\/strong>OWNLY Art Column Rethinking Investment Strategies - The International Art Market<\/em>, published by W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2018 <\/strong>OWNLY Art Column My House, My Car, My ART COLLECTION: About Collecting and Investing in Art<\/em><\/a>, published by W&Z Fintech GmbH via www.ownly.de<\/p>\n\n\n\n

2017 <\/strong>West German-influenced museum management and curatorial practice in the art museums of the Neue Bundesl\u00e4nder after 1990: Success and aporia by using the examples of the Kunsthalle Rostock, the Staatliches Museum Schwerin, and the Kunstsammlungen Chemnitz<\/em><\/a>, PhD Thesis, University of Greifswald, Greifswald 2017<\/p>\n\n\n\n

2016<\/strong> The times are changing. The German market for loans secured on works of art is developing and setting new standards<\/em><\/a>, Deloitte Art & Finance Report 2016, pp. 89-90, Luxembourg 2016<\/p>\n\n\n\n

2016 <\/strong>AAbout the Kunsthalle Rostock<\/em><\/a>, Texts for the website of the Kunsthalle Rostock<\/p>\n\n\n\n

2015 <\/strong>1992 Das steinerne Licht \/ 1996 Bekannt (-) Machung: Die konzeptionelle Neuorientierung der Biennale der Ostseel\u00e4nder, Norwegens und Islands nach der deutsch-deutschen Wiedervereinigung, Besucherrezeptionen und Sammlungserweiterung, <\/em><\/a>catalog essay for the exhibition \u201e1965\/ 2015 Die Biennale der Ostseel\u00e4nder \u2013 Der Ursprung der Kunsthalle Rostock\u201c, pp. 38-43, Kunsthalle Rostock 2015<\/p>","protected":false},"excerpt":{"rendered":"

Die Titel der Schriften sind mit dem jeweiligen Link zur Publikation unterlegt. 2022 OWNLY Kunstkolumne Basel is back. Die Art Basel versammelt die internationale Kunstelite, publiziert von W&Z Fintech GmbH via www.ownly.de 2022 OWNLY Kunstkolumne Picasso f\u00fcr alle. Bedeutet Fractional Ownership die Demokratisierung des Kunstinvestments?, publiziert vonW&Z Fintech GmbH via www.ownly.de 2021 OWNLY Kunstkolumne Trend […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-987","page","type-page","status-publish","hentry"],"yoast_head":"\nPublikationen Kunst\/ Kunstmarkt - I date art.<\/title>\n<meta name=\"description\" content=\"Publikationen, Kunstmarkt, Kunst, Kolumne, Buch, Autor, Picasso, Verm\u00f6gensverwaltung, Kunst als Anlageklasse, Asset Class\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/idateart.com\/en\/publikationen-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publikationen Kunst\/ Kunstmarkt - 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